Deciphering Upper Paleolithic (European): Part 1. The Basic
Graphematics—Summary of Discovery Procedures
Abstract
I propose a preliminary and tentative decipherment of a European Upper Paleolithic
protolanguage, UP(E), which crystallized during the Magdalenian period, ca. 15,000 to 10,000
BC. Many attempts have been made to decode the geometric signs in the cave and portable art
of Upper Paleolithic Europe. It appears that a subset of these signs have the capacity to, and in
fact did, constitute a protolanguage.
Building on the symbolic studies of Alexander Marshack on Upper Paleolithic symbolism
and Marija Gimbutas on Old European Neolithic symbolism, and applying the structuralist
semantic techniques of A-J. Greimas, it is possible to detect a complementarity set of four basic
sign-clusters (semantic fields) which constitute UP(E). UP(E) appears to consist of ‘gesturewords’
or ‘motion-form words,’ which refer to elemental processes of nature, both the natural
environment without and the psychic or spiritual realm within. The four UP(E) sign clusters
appear to signify: "center inward," "contact irrupting spirit energies," "sprout, grow and branch,"
and "flow." Syntactic pairings of UP(E) signs can generate ritual formulae and narratives of
spiritual transformation (trans-formation) processes. At a higher level, UP(E) appears to refer to
personifications (divinities, goddesses and gods) that preside over these ritual and natural
transformation processes. Some of the meanings of the animal and anthropomorphic images in
European Upper Paleolithic art, such as Venus figurines, can be decoded using this
decipherment.
In a further step, it is possible to match this preliminary grapho-semantic derivation of UP(E)
against a reconstruction of primordial language (PL) stem words in Foster (1978). Assuming its
validity this comparison procedure results in differentiating the four basic UP(E) semes into 24
(4X6) semes, each corresponding to a canonical geometric sign. Some fifty remaining PL words
appear to signify every day social and cultural activities, including semantic fields for tool
making and food preparation, foraging, childcare, and social goods (family, sexuality, wealth,
territorial defense).
James B. Harrod, Ph.D.
james@originsnet.org
27. Such vulva-seed signs are typical of the Aurignacian art style and continue through
the Magdalenian. Magdalenian disks from Isturitz and Mas d'Azil have central perforations,
concentric circles, and strokes, which were frequently engraved in an inward direction.
They suggest a semantic of centering, centeredness, inwardness, and inward centering into a
source of potential energy. If the two semes are combined, this would result in a decoding of
vulva, triangle, seed, uterus, circle, hole, ellipse, and phallus as something like: "Form your
sacred circle, your seclusion, center inward, concentrate, yourself in yourself, and find your
vulva-seed-womb source of life, your generative matrix and phallic potency, your luteal and
seminal life-force!"
28. Based on this analysis, of which the above sketch is but the tip of the iceberg, I
propose that by the time of the Franco-Cantabrian Magdalenian, there existed a protolanguage,
UP(E), which had four grapho-semantic fields. With respect to shape, these signs appear to fall
into four basic clusters:
A) circle and its derivatives, including concentric circles, oval, teardrop, ellipse,
uterus, vulva, phallus, seed, with/without internal dots or stroke marks; and triangle, pointed up or
down, with/without internal stroke marks;
B) single stroke mark (may be iterated); , bi-line (pair of parallel short stroke lines), crisscross
stroke ("X" sign); stroke with points or feathers like dart, spear, arrow; "Y" sign; and claviform;
all frequently superimposed on animals, esp. on their necks; backs, and bellies;
C) branch, vine, plant, penniform (feather); vulvar or rectangular sign broken through by line(s);
single or concentric ellipses with open ends, suggestive of, or associated with birthing imagery;
and tectiform;
D) chevron, "V" sign, running angles, zigzag; meander; spiral or coil; arcs or catenary
curves; tri-line (triad of lines); and ray (with lines directed outward, "comet").
The overall semantics of these clusters may be read, respectively,
A) "Center inward, form your sacred circle, your seclusion, concentrate, yourself in
yourself, and find your vulva-seed-womb source of life, your generative matrix and phallic
potency, your luteal and seminal life-force!"
B) "Contact, cleave to, sacrifice to, feel irrupting spirit energies within, your animal spirit
body, the creative tension and interplay of opposites, be pregnant, gestate, doubling and
redoubling, or split within, disrempt, bifurcate, be set apart, cross over into the separate
reality, the other world!"
C) "Branch out, sprout, emerge, give birth, hatch, grow out of, grow, unfold, unfurl
branches, ramify, branch."
D) "Flow, streaming with undulating self-movement of all things, spiraling, dancing with
life!"
In summary, the basic fourfold semantic of UP(E) reads:
"Center inward in seed-like potency! Contact, cleave to irrupting spirit energies!
Emerge, unfold, branch! and Flow with the undulating movement of life!"
http://originsnet.org/loslecture888k.pdf
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