
Originally Posted by
Nordgau
The claims on Austria are quite ignorant. It only needs a glance into a history atlas to see that Austria, the German core lands of the Austrian monarchy, has been traditionally the leading state within the German Reich and then the German Confederation for centuries of German history until 1866. And since Austrians used to regard themselves as part of the German people, nation and culture until the middle of the 20th century, an own category for Austrians justified explicitely through the juxtaposition of Germandom and Austriandom as alleged seperated entities makes only sense for a range of "modern" and politically mostly left, anti-nationalist postwar artists (but the fan stands of Hrdlicka and Jelinek aren't that strong on this forum anyway, I suppose). Because of the traditional collective German national and cultural consciousness in Austria there's nothing special or spectaculary in comments like Grillparzer did on the occasion of the foundation of the second Reich in 1871, just as, say, Musil's political statements in 1918/19, when everyone in German-Austria called for the unification with the second Reich, don't get out of the line of general thinking. There surely can also be found an Austrian affect against the Prussian-lead second Reich among men of letters etc., but, as one will see if one analyses Austrian culture and mentality history, that was not an Austrian opposition against Germandom, but an attitude in which one believed that Prussia was a parvenu and Austria was the true and real and history-nobled bearer of German culture and German spirit; it was a decidedly South German consciousness with Baroque, Catholic and Habsburgian-old-Reich elements, but not a consciousness outside of Germandom. Such a traditional Austrian special consciousness, as also the anti-NS Dollfuß-Schuschnigg regime showed it in a hyperbolical way, did not break out of the frame of an inner German dualism and tension. It was not before the late 1930s that a non-German "Austrian nation" was concocted by communist exilants.--
Emperor Joseph II declaring the leading German stage in Vienna as "German Nation Theatre" (Teutsches Nationaltheater) in 1776 does not really indicate an Austrian dissociation from Germany and Austrian willingness to start a competition with her in the arts. And one may just check out the letters of his contemporary Mozart to get clobbered over the head with examples of German cultural pride and German national consciousness. Madame de Staël used to call Vienna the "capital of Germany"--which it indeed was in her time as seat of the emperor and Germany's largest city and cultural centre; there's nothing exceptional or strange about such a characterisation.--In 1848, on the occasion of the national-liberal revolution in Vienna (the capital of the German state that had the presidency in the German Confederation) the Austrian composer Robert Schumann wrote the "German Freedom Song" (Deutscher Freiheitsgesang) and "Black-Red-Gold" (Schwarz-Rot-Gold). I tend to disagree that the overall historical image gives the impression of "a strong state being separated from Germany politically and clearly competing with Germany in the arts on a large scale". Or into which group category has one got to place "Austrians" like Mozart, Schumann, Grillparzer, etc., etc., etc. who explicitely put straight that they were Germans in Germany and that what they were doing was German arts and culture?
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