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Thread: WN Philosophy and Films

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    Post WN Philosophy and Films

    I'm going to name a few films here, then my thoughts on how these make some interesting points towards a WN/EuroNationalist philosophy. Note I'm not going into whether a movie had heaps of nonwhites in it or whatever - just the philosophical implications of the movie.

    The Matrix (original) - the notion of an alternative reality probably shocked the hell out of most sheeple, but sounded cool. Most of the Western population enjoyed it and made sense. To those who follow radical politics it makes more sense - the machines are the Jews, decieving us and exploiting us and making us slaves.

    The Matrix Reloaded - Yes, Zion is filled with muds. Largely irrelevant for the purpose of this discussion though. The question is, does man make the history or does history make the man?

    Fight Club - "You have to realise that some day you are going to die. Until you know that and embrace that, you are useless". Anyone who has seen this movie realises it is an attack on corporate funded popular culture, which many fans of FP Yockey will recognise as Jewish culture distortion. The character of Tyler Durden also shows us quite well just what Nietzche's Overman is. The character Jack represents the sheeple who moves beyond day to day obsession with simple existance and fights back at the elite for annihilating culture in the name of the dollar.

    Starship Troopers - Funnily enough, Robert Heinlein was a racialist, and the "bugs" are representative of the Hispanics - Heinlein lived in California, it seems he had a good ability to see into the future. Starship Troopers also shows an NS empire, once the racialist viewer looks beyond the fact there's a handful of muds in the movie. Hispanic and black characters were inserted into the book in order to get it beyond the publishers, but the book remains pro white/NS at heart.

    Planet of the Apes - Jotunheim in a conversation has suggested the book is one of the most racialist motivated books he's read - whites handing over the world to apes (sound familiar?)

    That's all I can think of at the moment.
    All men dream, but not equally. Those who dream at night, in the dusky recesses of their minds, wake in the day to find that it was vanity. But the dreamers of the day are dangerous men, for they may act their dreams, with open eyes, to make it possible.

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    So what if W.N used film media instead of a political party?

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    Originally posted by Apothecary
    So what if W.N used film media instead of a political party?
    We can't, it's a practical impossibility. What we can try and do is alter the popular interpretations of film media, and that takes place on the cultural level. I'm not sure how well that would work - it'd take a lot of effort, but the results could be interesting. Controlling Hollywood would be a start. Since I don't see that happening, I see an alternative (sub)culture developing and spreading.
    All men dream, but not equally. Those who dream at night, in the dusky recesses of their minds, wake in the day to find that it was vanity. But the dreamers of the day are dangerous men, for they may act their dreams, with open eyes, to make it possible.

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    Ok so where do we begin?

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    Originally posted by Apothecary
    Ok so where do we begin?
    What about doing a trilogy of films. The first would be fairly politically neutral. The second would chuck in a few WN principles, in such a way that they could still be taken ambiguously. The aim would be that by this time the films would have a cult status. Everyone would be eagerly awaiting the third.

    The third would be overtly and quite uncompromisingly WN. Filmgoers would disregard bad reviews because they were so addicted to the first two that had got them completely hooked. Media distributors could not refuse to release the third film because it was would be so profitable. After the release of the third film, those involved could start giving interviews promoting their views. Of course for this to work the first two films in the series would have to be absolute dynamite! The cost, though, could be prohibitive.

    If successful, your trilogy fans would would be 'mass-hypnotised' into WN sympathisers. Some of these would become inspired toward a personal White Separatist stance. Worth a shot!

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    Cosmocreator and myself are currently creating, or atleast planning doing a Science fiction film. If you would like to help in any way possible just state so!

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    Originally posted by Apothecary
    Cosmocreator and myself are currently creating, or atleast planning doing a Science fiction film. If you would like to help in any way possible just state so!
    I appreciate that and wish you all luck in this endeavour. At this time, however, I don't believe that is the best way I personally can serve the separatist cause. (Some say this is not a 'movement,' however I think at a minimum every white person on this board wants us all to 'move,' however peacefully or otherwise, toward geographical separatism at some point.) Hail Victory!

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    Post Re: WN Philosophy and Films

    I find it amusing that one takes as a symbol of a 'White Anglo-Saxon nationalist' (Jack the Ripper's signature) the character from a movie financed by Jews, directed by an Italian, and played by the Jew Lewis. And I mustn't be the only one to find it so : if Jews are lurking in this area, they are surely having the time of their lives. They should thank you for that, buddie.

    This being said, I don't like to think in terms of political art, which is a Jewish-Bolshevik notion. Art in the Reich for instance was not in the least political : it was the expression of a soul, of OUR soul, it was the spiritual food we need. Art's aim is to mirror the beauty of the soul, as the soul emphasizes in its surroundings the beauties that appeal to it and expresses them to all.

    The Jews who fled Germany dismissed that art as 'photoism', as mere reproduction of nature. That is ludicrous. The great sould that depicts nature doesn't reproduce nature but rather itself ; so painting, for instance, is always about the soul.

    Degenerate art is about degenerate souls, and there is nothing original about these distorted forms and splashes of gaudy colors. They want us to take their childish foolish refuses of simpletons as the ultimate criterion, and that is nothing but the pathetic claim of the insane. We are in the world that has lost the notion of Art. We are in the world of the soulless.

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